Gilles Cohen

In eight films, Jacques Audiard has renewed French cinema, without alienating either the critics or the success. It is only at the age of 42 that he starts directing, after having been an editor and a scriptwriter. In 1994, he directed his first film, "Regarde les hommes tomber", whose conflicting shooting was an ordeal for this misanthropic beginner. It was with "Sur mes lèvres", in 2001, that he forged his cinematographic language: contained lyricism, deliberate imperfection of images, ellipses plunging the audience into a maelstrom of sensations. With each of his films, Jacques Audiard intends to renew himself, at the cost of challenges and doubts always more vivid.

Samy lives happily with his wife, Alice, in a poor urban housing project amongst friends and neighbours. For his son’s birthday, the richest man in France throws open his grand department store, offering the boy whatever he wants. Alexandre chooses Samy, the night watchman, as his new toy…

Claude and Marie Verneuil face a new crisis. The four spouses of their daughters, David, Rachid, Chao and Charles decided to leave France for various reasons. Here they are imagining their lives elsewhere.

Paris 2020. While superheroes have assimilated into the Parisian society, they discover a new drug that gives themselves personal superpowers to mere mortals. Lieutenants Moreau and Schaltzmann are investigating the case with the support of two ex-superheroes, Monte Carlo and Callista. They'll do whatever it takes to dismantle the traffic. But Moreau's past resurfaces, and the investigation becomes more complicated.

38-year-old Alice has everything to become the next editor-in-chief of Rebelle magazine except for her uptight image. But when the young and charming Balthazar, barely 20, crosses Alice's path, she realizes that he holds the key to her promotion.