Pedro Casablanc

Inspector Amaia Salazar confronts the origins of her nightmares as she unfolds the darkest secrets of the Baztan valley. Part 3 in the Baztan Trilogy.

Vitoria-Gasteiz, Basque Country, Spain, 2019. Two corpses appear in the crypt of the Old Cathedral. Police officer Unai López de Ayala, an expert in criminal profiling, must hunt down the ritual murderer who has been terrorizing the city for two decades.

When the naked body of a teenage girl is found on the banks of the River Baztán, it is quickly linked to a similar murder one month before. Soon, rumours are flying in the nearby village of Elizondo. Is this the work of a ritualistic killer or is it the basajaun, the ‘invisible guardian’ of Basque mythology? Inspector Amaia Salazar leads the investigation, taking her back to the heart of the Basque country where she was born, and where she hoped never to return. Shrouded in mist and surrounded by impenetrable forests, it is a place of unresolved conflicts and a terrible secret from Amaia’s childhood that will come back to haunt her. Faced with the superstitions of the village, Amaia must fight the demons of her past to confront the reality of a serial killer on the loose. But as she is drawn deeper into the investigation, she feels the presence of something darker lurking in the shadows…

A policewoman whose childhood friend disappeared in Patagonia years ago starts a new search to find answers, and soon finds her own life in danger.

Flora and Victor are fun, modern, caring parents. That is, until they decide to get a divorce, and the perfect job opportunity turns up for them. They now have one problem: custody.

After 25 years, an ex hired gun visits his old colleague, who is now a small town sheriff. Their past relationship is explored, as is how they reflect on it in the present.

Barcelona, late 60's. Eugenio Jofra, a young jeweler, meets Conchita on a bus. They instantly fall in love and the two begin the love story of their lives. Eugenio learns to play the guitar to accompany Conchita in her musical career, for which he will have to fight stage fright. Thus begins the musical career of 'Els dos'. When Conchita has to leave Barcelona for two weeks, she convinces Eugenio to carry out the performances on his own. When he returns, Eugenio has become a phenomenon of underground humor in the city. Little by little, the two of them build up the character: the glasses, the black shirt, the stool, the cigarettes and the tube glass, which will become an unexpected success in a depressed Spain desperately looking for a laugh with this unique comedian who starts all his jokes with 'Saben aquell...'