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A girl returns to her mother's house for dinner, carrying a plate of food to recall her childhood and her mother's past. Carrots convey a symbolism that we often see in ourselves a reflection of our past in family and life. The aim is to convey symbolism through the carrot.

Leo and Diana, a wealthy couple, meet Salif and Yousef, two scrap dealers, at a recycle center. Offering them more junk, Diana invites them to their mansion, but the immigrants actually might be the ones with something she wants.

Episode of the BBC Scotland television series focusing on Lindsay Anderson's 1968 film "If...", featuring interviews with star Malcolm McDowell, cinematographer Miroslav Ondříček, assistant editor Ian Rakoff, director’s assistant Stephen Frears, producer Michael Medwin, and screenwriter David Sherwin

To all his schoolmates, Jin comes across as a hot-headed class clown from typically barging in late and sleeping the whole way through to always responding to any situation with reckless stupidity. The fact that he used to be the charismatic leader of a legendary biker gang has turned into an urban legend; however, after starting a rivalry with the captain of the school baseball team, he and two former members, become their star players. But it's not long before his past catches up to him...

Late to an important meeting, a young man deals with the consequences of his road rage.

Reclusive gym manager Lou falls hard for Jackie, an ambitious bodybuilder headed through town to Las Vegas in pursuit of her dream. But their love ignites violence, pulling them deep into the web of Lou’s criminal family.

In the near future, a group of war journalists attempt to survive while reporting the truth as the United States stands on the brink of civil war.

An actor tries to record a self tape with the "help" of her jealous boyfriend.

On a weekend backpacking trip in the Catskills, 17-year-old Sam contends with the competing egos of her father and his oldest friend.

Mo navigates rush hour traffic to dodge an unwanted call. When she meets Vicky by the side of the street with her broken motorbike, a visceral chance encounter unfolds between the two young queer women on the loud streets of Saigon.

What are we making a portrait of when we make a portrait? What does the filmmaker wants his subject for? What does he use his subject as a way of talking about and what does he use his subject to avoid talking about? A diachronic portrait of the filmmakers' mother and an exploration of the home, composed with family archives and new footage. The film brings about the pleasures and misgivings of moving through a life, reflecting upon cultural specificity of the 70's in Cyprus Preliminary non-fictional in its approach, the film moves through biographical to lyrical. A marriage of images, language, and affects, with a sensibility for light and dark, gives rise to domesticity and the human content of objects in an interplay between filmmaker, mother and the elasticity of time.

A woman performs the sacred ritual of salah, revealing the profound journey of making time meaningful in the transient spaces of life.

Thirty four to eight-year-old children spend day after day in the forest, in sunshine, rain and snow. They learn reading, writing and arithmetic along the way. Above all, they explore the forest on their own, experience the cycle of nature and seek their role in the community.

When a concierge begins to prepare dinner for his nephew, a resident demands his immediate assistance. The concierge finds himself torn between attending to his employer’s never-ending requests and the boy's growing hunger. Left unsupervised, the boy sets out to make his dinner, ultimately taking a drastic turn.